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Any translation from non-visual arts such as literature and music into visual arts indeed grapples with the problem oftransference between what Susanne Langer would term as discursive and presentational forms.38 This notion o fdiscursive and presentational forms has some similarities to Nelson Goodman's concepts of allographic and autographic.39 However, the case of architecture is especially intriguing since it cannot neatly fit into a package of "presentational" form.
On the one hand, the construction drawings in architecture are allographic, a set of instructions, follow a notational system that can be replicated but conceptual drawings, for instance Rossi's sketches, are autographic, much like paintings.
Goodman in his distinction between the allographic and autographic arts discusses the unusual nature of architecture which has aspects of both: "The architect's papers are a curious mixture," he writes, further stating that " the specifications are v^itten
With the New Babylon maps, one observes individual pieces that use conventional maps which have notational techniques that are essentially allographic nature but it is the nature of the overall composition using the collage technique that makes this generative mapping autographic.
schemas that are inherent in the collage technique- an autographic practice-
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