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فلسفه::
خطاط
The calligrapher was known for his rhythmically proportioned and precise nastaliq, a highly attractive cursive script descended from Persian traditions of calligraphy.
The poetic idea was that the calligrapher wrote with black ambergris, burnt as incense, which further
It is a remarkable image, for it is a self-portrait of an artist painting the calligrapher who is writing the book in which the artist's image is destined to be placed.
There are sets of double images: we see the image of the calligrapher, doubled by the image of the calligrapher who the artist paints, this is a painting-in-painting.
The writing (and the painting of the writing) and the image evoke the presence of the calligrapher, who is no more, yet also in an indirect way they in- voke the presence of the viewer and reader.
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