داستان آبیدیک

culturati


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1 هنر:: نخبگان بافرهنگ

During the 1960s this entire process by which le monde, the culturati, (2) The Consummation, in which culturati from that very same world, le monde, scout the various new movements and new artists of bohemia, select those who seem the most exciting, original, important, by whatever standards-and shower them with all the rewards of celebrity. But what about le monde, the culturati, the social members of the act? Le monde, the culturati, are no more a part of "the public," the mob, the middle classes, than the artists are. If it were possible to make one of those marvelous sociometric diagrams that sociologists tried to perfect in the 1950s, in which they tried to trace on a map the daily routes of key people in a community-a blue line for Community Leader A here and a red one for Leader B and a green one for Leader C and a broken sienna one for Bureaucrat Y, and so on-and the lines started moving around and intersecting here and there like a hallucinated Sony solid-state panel-if it were possible to make such a diagram of the art world, we would see that it is made up of (in addition to the artists) about 750 culturati in Rome, 500 in Milan, 1,750 in Paris, 1,250 in London, 2,000 in Berlin, Munich, and Düsseldorf, 3,000 in New York, and perhaps 1,000 scattered about the rest of the known world.

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