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قهرمان (داستان)، قهرمان (داستان)
The most sympathetically portrayed protagonists are those who differ from the norm - be they awkward,gauche,naive or simply misunderstood.Big Fish subverts the misanthropic hero pattern,as the affable and gregarious lead acts as a catalyst to bring those who are on the fringes of society into his fold, rather than being an outcast himself.
For example, the paleskinned, unruly-haired protagonist of Vincent, the character of Lydia in Beetlejuice, Edward Scissorhands, Richie in Mars Attacks and Willy Wonka.
The protagonist in Burton films usually arrives at the color-filled world through some kind of transformation or journey (James and the Giant Peach [1996], Beetlejuice, The Nightmare Before Christmas, Planet of the Apes [2001], Corpse Bride) where "the descent into color often involves lateral as well as vertical displacement; it means being blown sideways at the same time as falling downward" in a swirl of color and exhilaration, where objects and creatures are discovered to be full of more life and character than those in the real world the protagonist left behind.31 In Corpse Bride Victor is whisked away from the drab and stressful adult world and into the lush colors of the underworld through the kiss of his dead bride.
Burton's protagonists tend to gain knowledge or insight that separates them from the self-absorbed adults and the adult world's superficiality.،The most sympathetically portrayed protagonists are those who differ from the norm - be they awkward,gauche,naive or simply misunderstood.Big Fish subverts the misanthropic hero pattern,as the affable and gregarious lead acts as a catalyst to bring those who are on the fringes of society into his fold, rather than being an outcast himself.
For example, the paleskinned, unruly-haired protagonist of Vincent, the character of Lydia in Beetlejuice, Edward Scissorhands, Richie in Mars Attacks and Willy Wonka.
The protagonist in Burton films usually arrives at the color-filled world through some kind of transformation or journey (James and the Giant Peach [1996], Beetlejuice, The Nightmare Before Christmas, Planet of the Apes [2001], Corpse Bride) where "the descent into color often involves lateral as well as vertical displacement; it means being blown sideways at the same time as falling downward" in a swirl of color and exhilaration, where objects and creatures are discovered to be full of more life and character than those in the real world the protagonist left behind.31 In Corpse Bride Victor is whisked away from the drab and stressful adult world and into the lush colors of the underworld through the kiss of his dead bride.
Burton's protagonists tend to gain knowledge or insight that separates them from the self-absorbed adults and the adult world's superficiality.
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