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هنر::
دروازه بان ها
How do they recognize the professionalism of artists if the roles of traditional indicators of professionalism (acceptance by gatekeepers, use of professional tools) are diminished?
Digital production and online distribution allow artists to by-pass traditional gatekeepers (recording companies, magazine publishers, bookstores, video rental stores, etc.) by placing work online directly.
Most film/video artists have not had to deal with distributors acting as gatekeepers or investors.
Do we need other gatekeepers?
Others have expressed concern about the concentration of power in large corporations and worry that these organizations will become new gatekeepers.
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