داستان آبیدیک

iconographic


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The methods that have been employed to this end until recent times can broadly be described as falling into the categories of iconographic determination, stylistic claims, presumed technique of execution, association with archaeological finds by excavation, topographic proximity, weathering and patination study, superimposition of motifs, and a combination of two or more of these approaches. Yet the extensive and iconographically complex Gwion art traditions of the Kimberley, Australia, is entirely devoid of hunting depictions and has almost no animal figures, nor is there a single known female anthropo- morph. As noted above, iconographic ''identifications'' depend upon an untestable relationship between a form per- ceived by a subjective organism and the iconography of an alien culture.

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