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یکسانی
[...] in order to perceive not only repetition but recursion, what is required is both an abstraction of similarity and punctuation of the continuum in such a manner as to emphasise the difference between the logical levels (the "willing suspension of disbelief" mentioned above); we need a combination of distinct logical levels (difference) separated by a potentially infinite series of boundaries (sameness) and some analogy between the levels (sameness in difference) (F�redy 1989: 752).
The mise en abyme negotiates identity or sameness in difference as a series, and as such, appears as a visual experience of the serial form of consciousness.
ries of sameness and difference on which language and consciousness are based.
Warhol's Brillo Boxes demonstrate an important principle of con- sciousness for Danto (even if he is not entirely conscious of this him- self), they are a way of showing one very important emergence: the difference between reality as art (or art as reality) and reality as reality is that consciousness makes that difference, sameness is ignorance, duplication preserves the idea of sameness co-existing with difference.
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